Independence and affection get along here, which is unusual enough to be worth stating plainly. The native keeps their own hours inside a marriage without either party making a case of it, has friends the family has never met and sees no reason to introduce, and can end an association without malice. The eye is quick and modern. Rooms and clothes look assembled rather than bought, and the assembling took about ten minutes, which the native will confirm if asked and does not consider remarkable.
The flow makes for good company and thin roots. Because nothing has ever had to be fought for, the native drifts out of attachments rather than deciding about them, and the drift is so amiable that the other party often does not realise it has happened until a year has passed. Money is treated lightly and usually turns out fine, which encourages the treatment. Work is chosen for interest, changed for interest, and the accumulated skill is broad rather than deep.
There is a real talent here in placing people and things next to each other so that both look better, and it appears in matchmakers, curators, dealers, teachers of the difficult and anybody who runs a room well. The native cannot explain the method, having never needed one. What develops the trine is commitment to something that does not move: a house, an institution, a person with a long illness. The freedom is not lost by staying. It is simply put to use for the first time.
What It Gives
- ◆independence inside close attachment
- ◆instinct for arranging people and objects
- ◆malice-free endings
- ◆modern eye requiring no effort
What It Costs
- ◆attachments left rather than concluded
- ◆breadth bought at depth's expense
- ◆ease never turned to any purpose
This is one line of a whole chart. The rest of it — every placement, house and aspect at once — is a birth date away.
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